
Paul Gauguin Biography
Paul Gauguin (1848 - 1903)
Eugène Henri Paul Gauguin
was born in Paris on 7 June, 1848, the son of Clovis Gauguin, a Republican
editor, and his wife Aline Marie Chazal. In 1849, after Louis Napoléon came to
power, the family emigrated to Peru. Clovis Gauguin died on the way. His widow
and 2 children (Paul and his elder sister Mari) stayed in Lima with their rich
relatives and did not return to
France
until 1855. On coming back they settled with the uncle Isidore Gauguin in
Orléans. In 1865, Paul became a sailor and spent the next three years voyaging
between France and South America, and made a voyage around the world. In 1868,
Paul joined the navy, which he left after the Franco-Prussian War. Instead, he
started to work as a broker’s agent in Paris. The first known drawings by
Gauguin dated 1871, when he was in his late twenties. In the broker’s agency
Gauguin met and befriended Claude-Emile Schuffenecker (1851-1934), a shy clerk,
who shared Gauguin’s interest in painting, they both started to study painting
at the Colarossi
Academy,
worked together en plein-air and in the Louvre and met Parisian artists.
In 1873, Gauguin married a Dane, Mette Sophie Gad (1850-1920), who
gave birth to his 5 children: Emile (1874 - 1955), Aline (1877-1897), Clovis
(1879-1900), Jean René (1881-1961) and Pola (1883-1961).
In 1874, Gauguin met Pissaro and other Impressionists. He traded at
the stock exchange, which provided a comfortable income and he bought many of
the Impressionists' paintings and had a handsome collection. His début in the
Salon took place in 1876. He also exhibited paintings and sculptures with
Impressionists and the Indépendents in 1879, 1880 and 1882. The works of the
period are close to Impressionism; he was greatly influenced by Pissaro, who
gave his advice generously, and later by Cezanne. But gradually Gauguin broke
away from Impressionism and adopted a bolder style - radical simplifications of
drawing, brilliant, pure, bright colors, an ornamental character of composition,
and deliberate flatness of planes, the style, which he called ‘synthetic
symbolism’.
In 1883, Gauguin quit the stock exchange; financial troubles weren't long in waiting. In 1885, he left his family in Copenhagen with his parents-in-law, and returned to Paris. In 1886 and 1888, he worked in Brittany, beside Emile Bernard, Laval and Meyer de Haan, he executed some of his most expressive works, such as Breton Girls Dancing, Pont-Aven. (1888), The Yellow Christ. (1889) and Vision after the Sermon; Jacob Wrestling with the Angel. (1888).
In October-December 1888, following the persistent suggestions of his
art-dealer, Theo van Gogh, Gauguin visited the man's brother, Vincent, in Arles.
His stay with the sick artist, whom he disliked and even despised as a painter,
and never bothered to conceal this, finished after a Van Gogh cut off his own
ear.
In 1891, he managed to
organize a trip to
Tahiti
at the expense of the French government; there he started his autobiographical
Noa Noa (published in 1897). He fell seriously ill, but despite this much and
sent pictures to
Paris, where he did not return until 1893. In 1894 he took a farewell visit to
Copenhagen and in 1895 left for Tahiti a second time.
Plagued by illness (his
health was ruined by alcohol and syphilis), depression and financial worries, in
1898 he even attempted suicide, Gauguin still painted numerous masterpieces
D'où venons nous? Que sommes-nous? Où allons-nous? (Where Do We come from? What
Are We? Where Are We Going?) (1897), And the Gold of Their Bodies (Et
l'or de leurs corps). (1901).
In 1900, after a contract
with Vollard, a Parisian dealer, his financial position improved, but his health
was irreparably ruined. In 1901 he moved from Tahiti to Atuana on the Island of
Dominique in the Marquesas, where his colors grew even more abundant and lush,
and where he executed such pink and mauve paintings as Horsemen on the Beach.
(1902) and The Call. (1902).
In 1903, Gauguin was sentences to three-months in prison and fined 1,000 francs because of problems with the church and the colonial administration. Before he could begin his sentence he died, on the 8th of May at his home in Atuana.
Besides legitimate children Gauguin had several illegitimate ones. A daughter Germaine Chardon, herself an artist, from Juliette Huais, who was Gauguin’s model and lover in 1890, he painted her in several pictures: The Loss of Virginity. Son Emile from Tahitian Pau’ura. And another daughter, born 14 September 1902, by Tahitian Mari-Rose Vaa’oho.
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